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NMAI's
Film and Video Center and the National Gallery of Art present
a remarkable eight part screening series, imparting fresh
views regarding the Native American experience as described in
contemporary film and media. Each program will include a moderated
discussion on how media affects and empowers our collective image
of what a Native person is.
October 4, November 1, November 22, and December 6 at the National
Gallery of Art.
October 5, November 2, November 23, and December 7 at the National
Museum of the American Indian.
For more information please go to the National
Museum of the American Indian Website.


Saturday, October 4, 2008,
2 pm
East Building Auditorium, National Gallery of Art
PRETTY PICTURES
Exploring
elements of Native female identity, we ask, How does art influence
children? How do romantic images of Indians enchant Native and
non-Native people, young and old?
Moderated discussion led by Pat Aufderheide, Center for Social
Media, American University, with filmmaker Nanobah
Becker (Navajo) and National Museum of the American Indian
research historian Gabrielle Tayac (Piscataway) to follow the
screening.
For more information please go to the National
Museum of the American Indian Website.


Sunday, October 5, 2008, 2 pm
Elmer and Mary Louise Rasmuson Theater
National Museum of the American Indian, First Level
STRANGE LOVE
National
issues of sovereignty and cultural acceptance often affect Native
people on a personal level. Many individuals must search for
life's greatest momentsmarriage, children, etc.within
the confines of blood quantum. This government-mandated system,
which defines citizenship by how much "Indian blood"
someone has, leads many Native people to question their cultural
worth, asking, Is my identity in my blood?
Moderated discussion led by Gabrielle Tayac with filmmaker
Tracey Deer (Mohawk) to follow
the screening.
For more information please go to the National
Museum of the American Indian Website.


Saturday, November 1, 2008, 2 pm
East Building Auditorium, National Gallery of Art
UNITÉ
URBAINE
Moderated discussion led by producer Christine Vachon with
filmmaker Shane Belcourt (Métis) to follow the screening.
For more information please go to the National
Museum of the American Indian Website.


Sunday, November 2, 2008, 2 pm
Rasmuson Theater, National Museum of the American Indian
First Level
IT'S NOT TV, IT'S INDIANS!
A high energy explosion of television magic that will make you
think about Native Americans in a new way! Native artistsBen-Alex
Dupris (Colville), Terrance Houle
(Blackfoot/Saulteaux), and Skeena Reece (Métis/Cree/
Tsimshian/Gitksan)perform spoken word, song, and dance
pieces inspired by their favorite "Indian" episodes
of television. Many American TV shows have featured a special
episode with an American Indian guest star or Native-inspired
theme. Many of these shows are embraced by Native communities,
despite their lack of accuracy or sensitivity toward Native
culture. Reception with the artists to follow.
Proposed episodes for this program are:
- Challenge of the SuperFriends' "The History of Doom"
and "Doomsday" featuring Apache Chief - presented
by Ben-Alex Dupris
- Seinfeld's "Cigar Store Indian" - presented
by Terrance Houle
- Moesha's "Road Trip" - presented by Skeena
Reece
For more information please go to the National
Museum of the American Indian Website.


Saturday, November 22, 2008, 2 pm
East Building Auditorium, National Gallery of Art
A FUTURE REALIZED: FILMS BY TODAY'S INDIAN
We
are proud to present the newest films from some of the best
Native American filmmakers working today.
Moderated discussion led by curator Gerald
McMaster (Plains Cree/Siksika Nation) with the filmmakers
Jeff Barnaby (MigMaq),
Kevin Lee Burton (Swampy
Cree), Dustinn Craig (White
Mountain Apache/Navajo) and Andrew
Okpeaha MacLean (Iñupiaq) to follow the films.
For more information please go to the National
Museum of the American Indian Website.


Sunday, November 23, 2008, 2 pm
Rasmuson Theater, National Museum of the American Indian
First Level
THE DOUBLE ENTENDRE OF RE-ENACTMENT:
An interactive program with Gerald McMaster
Curator
Gerald McMaster (Cree) offers fresh insights in this
subversive and often humorous look at Native participation in
historical reenactmentfrom its roots in 19th-century Wild
West shows and early 20th-century film to the work of today's
Native media artists currently reinterpreting reenactment as
a means of artistic defiance. This talk , curated by Gerald
McMaster, was commissioned by the imagineNATIVE Film and Media
Arts Festival in Toronto & Vtape, with a catalogue published
by Vtape. To download a PDF of the catalog, enter
here. Provided courtesy of imagineNATIVE and Vtape,
the key distributor of independent media arts and First Nations
production in Canada.
Works discussed include:
- Nunavut (1995, 28 min., d. Zacharias
Kunuk (Inuit), Canada)
- The Last Great Hunt (2006, 6 min., d. Shonie
De La Rosa (Navajo), U.S.)
- Shooting Geronimo (2007, 11 min., d. Kent
Monkman (Cree), Canada)
- 4wheelwarpony (2008, 8 min., d. Dustinn
Craig (White Mountain Apache/Navajo), U.S.)
And brief selections from:
- In the Land of the War Canoes (1912., d. Edward
S. Curtis, U.S.)
- Nanook of the North (1922, d. Robert Flaherty,
U.S./France)
- Winnetou (1965, d. Harald Reini, West Germany/Yugoslavia/Italy)
- The Shadow Catcher (1974, d.Teri C. McLuhan,
U.S.)
Gerald McMaster
(Plains Cree and member of the Siksika Nation) is the Curator
of Canadian Art at the Art Gallery of Ontario in Toronto.
For more information please go to the National
Museum of the American Indian Website.


Saturday, December 6, 2008, 2 pm
East Building Auditorium, National Gallery of Art
MAINSTREAM NATIVE AMERICA
In 1972 America watched Francis Ford Coppola's The Godfather,
the first Italian American film written and directed by Italian
Americans. Today, people from diverse and specific backgrounds
still relate with the epic story of the Corleone family. Themes
such as cultural displacement, the realization of the American
dream, and family allegiances resonate and parallel many issues
Native Americans face today.
Moderated discussion led by Hanay Geiogamah (Kiowa/Delaware)
with filmmaker Chris Eyre (Cheyenne/Arapaho)
and the Director of the Smithsonian Institution's National Museum
of the American Indian, Kevin Gover (Pawnee/Comanche), to follow
the program.
For more information please go to the National
Museum of the American Indian Website.


Sunday, December 7, 2008, 2 pm
Rasmuson Theater, National Museum of the American Indian
First Level
MAINSTREAM NATIVE AMERICA, PART 2
Presenting
the first feature film written, directed and co-produced by
Native Americans to receive distribution in mainstream theaters.
Moderated discussion led by Hanay Geiogamah with filmmaker
Chris Eyre to follow the screening.
For more information please go to the National
Museum of the American Indian Website.

Image credit:
Conversion - courtesy of Lydell Mitchell; Conversion
- courtesy of Lydell Mitchell; Club Native - photograph
by Liam Maloney; Tkaronto; 4 Wheel War Pony; Gerald
McMaster; Smoke Signals - courtesy Jill Sabela
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October 4, 2008 - Pretty Pictures
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October 5, 2008 - Strange Love
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November 1, 2008 - Unité Urbaine
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November 2, 2008 - It's Not TV, It's
Indians!
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November 22, 2008 - A Future Realized:
Films By Today's Indian
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November 23, 2008 - The Double Entendre
of Re-Enactment
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December 6, 2008 - Mainstream Native
America
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December 7, 2008 - Mainstream Native
America, Part 2
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Jeff
Barnaby
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Nanobah
Becker
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Kevin
Lee Burton
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Dustinn
Craig
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Tracey Deer
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Chris Eyre
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Terrance Houle
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Andrew Okpeaha MacLean
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Gerald McMaster
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For more information about the Film and Video Center, NMAI enter
here.
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